Review: Colourspace

Hugh Hardie’s debut album Colourspace has been out on Hospital Records for around a month now (about equally as long as this post has been sitting in my drafts). Hugh’s long awaited debut album perfectly showcases his talent, includes a wide range of styles, and features collaborations with Pola & Bryson and GLXY just to name a few (which also happen to be my favourites).

Throughout the entire album Hugh Hardie takes us on a journey of his progress and development as a producer. The first two tracks of the album, Love Troubles and Dusky Keys, have that disinct distinct Hardie-funk-and-soul-sound that made the City Soul EP so special.

The album is versatile and progresses to heavier basslines while continuing to have soulfulness to it. Transitioning from upbeat funk to nastier beats and bass with such ease, he reminds me of the sound of S.P.Y – who is a true chameleon in terms of style and who gives each sub-genre of DnB all the love it deserves. This, like S.P.Y., makes it very hard, if not near to impossible, to place Hugh Hardie into any specific box other than that of ‘amazing talent’.

Emerald City, featuring Pola & Bryson, is probably my favourite track of the whole album. It starts off with that distinct sound that is very similar to Love Troubles, but then swiftly moves into a soft, twinkling, and melodic roll until the darker bass kicks in – making it an absolute feel good song!

What I like most about the Colourspace album is that it gives you a listening experience that carries through throughout all tracks as well as taking you through sound that shape Hugh Hardie’s individual style.

Bottom line if you’re a fan of Technimatic or S.P.Y you will definitively enjoy giving Colourspace a spin.






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